Our cathedral in Aachen (or Aix-la-Chapelle as the French and English would have it) shares its major traits with other gothic cathedrals.
The exterior is all verticality, from the pointed arches of windows, doorways, and other architectural features, to the high thrust of the steeple rising from its smaller fellow points.
The exterior as a whole, especially from a distance, brings the eye across the social plain and points all the world’s grandeur upwards, from the hierarchies of the medieval social structure to the vanishing point atop the steeple, teasing the eye still further home into the heavens.
The interior houses, among other things, the richly-colored stained glass walls that fill the apse and frame the altar.
Arguably, the stained glass in all gothic cathedrals serves at least two symbolic functions in addition to the narrative function of transmitting sacred history to an illiterate congregation: (1) they create an illusion…
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